kontaakt

Crush EP 'FANG'

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

KBS Symphony Orchestra 2019

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Juwon Kim: The night, the past recalls the past

QUEENMAMA EAT&TALK #1

Jeongsu Woo: Three Devils by the Bedside

RM ‘Right Place, Wrong Person’

DOOSAN Humanities Theater 2023: Age, Age, Age

Ticket, Ilmin Museum of Art (Renewal)

Oksun Kim: The Story of You and Me

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Olafur Eliasson: The living observatory, 2021

RM ‘Right Place, Wrong Person’(Vinyl)

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Catastrophe and Recovery

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

Lee ShinJa, Threadscapes

do it 2017, Seoul

Crush EP 'FANG'

Have A Nice Day: Greetings from kontaakt

The Heaven and the Sinner

2024 Leeum Calendar × Hyun-Sook Song

Through Fragility

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Korean Video Art from 1970s to 1990s: Time Image Apparatus

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Design and the Anxiety of the Contemporary

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Spectres of the State Avant-Garde