kontaakt

The Heaven and the Sinner

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

Ticket, Ilmin Museum of Art (Renewal)

2024 Leeum Calendar × Hyun-Sook Song

RM ‘Right Place, Wrong Person’

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Crush EP 'FANG'

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

QUEENMAMA EAT&TALK #1

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Spectres of the State Avant-Garde

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Oksun Kim: The Story of You and Me

Juwon Kim: The night, the past recalls the past

Olafur Eliasson: The living observatory, 2021

do it 2017, Seoul

RM ‘Right Place, Wrong Person’

KBS Symphony Orchestra 2019

Design and the Anxiety of the Contemporary

Have A Nice Day: Greetings from kontaakt

RM ‘Right Place, Wrong Person’(Vinyl)

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Jeongsu Woo: Three Devils by the Bedside

Through Fragility

Lee ShinJa, Threadscapes

Korean Video Art from 1970s to 1990s: Time Image Apparatus

DOOSAN Humanities Theater 2023: Age, Age, Age

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Catastrophe and Recovery