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Lee ShinJa, Threadscapes
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’
QUEENMAMA EAT&TALK #1
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Catastrophe and Recovery
Peardrop
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
KBS Symphony Orchestra 2019
kontaaktpoie
Spectres of the State Avant-Garde
RM ‘Right Place, Wrong Person’
YES! Market
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
COSMOS PARTY
DOOSAN Humanities Theater 2023: Age, Age, Age
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Jeongsu Woo: Three Devils by the Bedside
Have A Nice Day: Greetings from kontaakt
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Oksun Kim: The Story of You and Me
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Ticket, Ilmin Museum of Art (Renewal)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
RM ‘Right Place, Wrong Person’
2024 Leeum Calendar × Hyun-Sook Song
Juwon Kim: The night, the past recalls the past
Olafur Eliasson: The living observatory, 2021
Design and the Anxiety of the Contemporary
KEEPUSWEIRD
kontaaktpoie
The Heaven and the Sinner
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps