kontaakt

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Ticket, Ilmin Museum of Art (Renewal)

Jeongsu Woo: Three Devils by the Bedside

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’

Design and the Anxiety of the Contemporary

do it 2017, Seoul

Oksun Kim: The Story of You and Me

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Catastrophe and Recovery

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Have A Nice Day: Greetings from kontaakt

The Heaven and the Sinner

Olafur Eliasson: The living observatory, 2021

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Juwon Kim: The night, the past recalls the past

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

KBS Symphony Orchestra 2019

Lee ShinJa, Threadscapes

DOOSAN Humanities Theater 2023: Age, Age, Age

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

QUEENMAMA EAT&TALK #1

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

2024 Leeum Calendar × Hyun-Sook Song

RM ‘Right Place, Wrong Person’

Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps

Jeongsu Woo: Three Devils by the Bedside