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Korean Video Art from 1970s to 1990s: Time Image Apparatus
THE NEUTRAL
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
Through Fragility
Lee ShinJa, Threadscapes
Design and the Anxiety of the Contemporary
YES! Market
THE NEUTRAL
QUEENMAMA EAT&TALK #1
Juwon Kim: The night, the past recalls the past
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
Jeongsu Woo: Three Devils by the Bedside
Ticket, Ilmin Museum of Art (Renewal)
2024 Leeum Calendar × Hyun-Sook Song
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’(Vinyl)
Peardrop
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’
KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
The Heaven and the Sinner
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Oksun Kim: The Story of You and Me
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Have A Nice Day: Greetings from kontaakt
Catastrophe and Recovery
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
Spectres of the State Avant-Garde
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Jeongsu Woo: Three Devils by the Bedside
KBS Symphony Orchestra 2019
Olafur Eliasson: The living observatory, 2021
kontaaktpoie