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Through Fragility
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
THE NEUTRAL
KEEPUSWEIRD
RM ‘Right Place, Wrong Person’
Juwon Kim: The night, the past recalls the past
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
kontaaktpoie
YES! Market
Crush EP 'FANG'
Peardrop
2026 SeMA Calendar
QUEENMAMA EAT&TALK #1
The Heaven and the Sinner
Oksun Kim: The Story of You and Me
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Crush EP 'FANG'
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
do it 2017, Seoul
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
DOOSAN Humanities Theater 2023: Age, Age, Age
Lee ShinJa, Threadscapes
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Olafur Eliasson: The living observatory, 2021
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
COSMOS PARTY
Ticket, Ilmin Museum of Art (Renewal)
Design and the Anxiety of the Contemporary
KEEPUSWEIRD
THE NEUTRAL
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’(Vinyl)
Catastrophe and Recovery
Have A Nice Day: Greetings from kontaakt
kontaaktpoie
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KBS Symphony Orchestra 2019
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Jeongsu Woo: Three Devils by the Bedside
2024 Leeum Calendar × Hyun-Sook Song
Spectres of the State Avant-Garde
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)