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RM ‘Right Place, Wrong Person’
The Heaven and the Sinner
Olafur Eliasson: The living observatory, 2021
Crush EP 'FANG'
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
RM ‘Right Place, Wrong Person’
Spectres of the State Avant-Garde
Korean Video Art from 1970s to 1990s: Time Image Apparatus
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Jeongsu Woo: Three Devils by the Bedside
KBS Symphony Orchestra 2019
KEEPUSWEIRD
THE NEUTRAL
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’(Vinyl)
Through Fragility
Ticket, Ilmin Museum of Art (Renewal)
Lee ShinJa, Threadscapes
Juwon Kim: The night, the past recalls the past
RM ‘Right Place, Wrong Person’
KYNE: ROUTE3
YES! Market
Crush EP 'FANG'
Catastrophe and Recovery
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
do it 2017, Seoul
kontaaktpoie
Have A Nice Day: Greetings from kontaakt
QUEENMAMA EAT&TALK #1
Oksun Kim: The Story of You and Me
KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
2024 Leeum Calendar × Hyun-Sook Song
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’
Peardrop
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil