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KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Design and the Anxiety of the Contemporary
KBS Symphony Orchestra 2019
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
KEEPUSWEIRD
Crush EP 'FANG'
THE NEUTRAL
kontaaktpoie
Catastrophe and Recovery
QUEENMAMA EAT&TALK #1
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
2024 Leeum Calendar × Hyun-Sook Song
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Juwon Kim: The night, the past recalls the past
Lee ShinJa, Threadscapes
RM ‘Right Place, Wrong Person’
Olafur Eliasson: The living observatory, 2021
kontaaktpoie
Spectres of the State Avant-Garde
Jeongsu Woo: Three Devils by the Bedside
Through Fragility
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
do it 2017, Seoul
Ticket, Ilmin Museum of Art (Renewal)
Peardrop
RM ‘Right Place, Wrong Person’
Oksun Kim: The Story of You and Me
KEEPUSWEIRD
Have A Nice Day: Greetings from kontaakt
KYNE: ROUTE3
RM ‘Right Place, Wrong Person’(Vinyl)
RM ‘Right Place, Wrong Person’
Crush EP 'FANG'
The Heaven and the Sinner
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
YES! Market
Jeongsu Woo: Three Devils by the Bedside