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RM ‘Right Place, Wrong Person’
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Catastrophe and Recovery
KEEPUSWEIRD
KBS Symphony Orchestra 2019
QUEENMAMA EAT&TALK #1
THE NEUTRAL
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Through Fragility
Jeongsu Woo: Three Devils by the Bedside
Ticket, Ilmin Museum of Art (Renewal)
Spectres of the State Avant-Garde
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary
kontaaktpoie
Lee ShinJa, Threadscapes
do it 2017, Seoul
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Peardrop
Olafur Eliasson: The living observatory, 2021
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
YES! Market
RM ‘Right Place, Wrong Person’(Vinyl)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
The Heaven and the Sinner
Have A Nice Day: Greetings from kontaakt
Crush EP 'FANG'
Jeongsu Woo: Three Devils by the Bedside
KYNE: ROUTE3
Oksun Kim: The Story of You and Me
2024 Leeum Calendar × Hyun-Sook Song
Crush EP 'FANG'
kontaaktpoie
Juwon Kim: The night, the past recalls the past
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)