kontaakt

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Spectres of the State Avant-Garde

Crush EP 'FANG'

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Catastrophe and Recovery

2024 Leeum Calendar × Hyun-Sook Song

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Have A Nice Day: Greetings from kontaakt

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

Juwon Kim: The night, the past recalls the past

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Design and the Anxiety of the Contemporary

Olafur Eliasson: The living observatory, 2021

Ticket, Ilmin Museum of Art (Renewal)

Jeongsu Woo: Three Devils by the Bedside

Lee ShinJa, Threadscapes

KBS Symphony Orchestra 2019

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

RM ‘Right Place, Wrong Person’(Vinyl)

The Heaven and the Sinner

Korean Video Art from 1970s to 1990s: Time Image Apparatus

QUEENMAMA EAT&TALK #1

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

Oksun Kim: The Story of You and Me

Through Fragility