kontaakt

Jeongsu Woo: Three Devils by the Bedside

Lee ShinJa, Threadscapes

RM ‘Right Place, Wrong Person’

Jeongsu Woo: Three Devils by the Bedside

Olafur Eliasson: The living observatory, 2021

Crush EP 'FANG'

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Catastrophe and Recovery

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Crush EP 'FANG'

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Through Fragility

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Spectres of the State Avant-Garde

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Ticket, Ilmin Museum of Art (Renewal)

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Have A Nice Day: Greetings from kontaakt

QUEENMAMA EAT&TALK #1

do it 2017, Seoul

Design and the Anxiety of the Contemporary

The Heaven and the Sinner

KBS Symphony Orchestra 2019

RM ‘Right Place, Wrong Person’(Vinyl)

Juwon Kim: The night, the past recalls the past

Oksun Kim: The Story of You and Me

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

2024 Leeum Calendar × Hyun-Sook Song

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)