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Korean Video Art from 1970s to 1990s: Time Image Apparatus
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’(Vinyl)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
THE NEUTRAL
kontaaktpoie
Spectres of the State Avant-Garde
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
THE NEUTRAL
The Heaven and the Sinner
Have A Nice Day: Greetings from kontaakt
Crush EP 'FANG'
Lee ShinJa, Threadscapes
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
kontaaktpoie
YES! Market
do it 2017, Seoul
Catastrophe and Recovery
RM ‘Right Place, Wrong Person’
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
2024 Leeum Calendar × Hyun-Sook Song
Oksun Kim: The Story of You and Me
Ticket, Ilmin Museum of Art (Renewal)
KBS Symphony Orchestra 2019
Design and the Anxiety of the Contemporary
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Crush EP 'FANG'
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
Through Fragility
KEEPUSWEIRD
QUEENMAMA EAT&TALK #1
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Olafur Eliasson: The living observatory, 2021
RM ‘Right Place, Wrong Person’
Juwon Kim: The night, the past recalls the past
Peardrop