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Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Crush EP 'FANG'
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
2024 Leeum Calendar × Hyun-Sook Song
Have A Nice Day: Greetings from kontaakt
Jeongsu Woo: Three Devils by the Bedside
Korean Video Art from 1970s to 1990s: Time Image Apparatus
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Juwon Kim: The night, the past recalls the past
Jeongsu Woo: Three Devils by the Bedside
KEEPUSWEIRD
Peardrop
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Ticket, Ilmin Museum of Art (Renewal)
Oksun Kim: The Story of You and Me
QUEENMAMA EAT&TALK #1
KYNE: ROUTE3
Catastrophe and Recovery
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
THE NEUTRAL
RM ‘Right Place, Wrong Person’
Lee ShinJa, Threadscapes
KEEPUSWEIRD
do it 2017, Seoul
kontaaktpoie
Crush EP 'FANG'
Olafur Eliasson: The living observatory, 2021
RM ‘Right Place, Wrong Person’
YES! Market
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KBS Symphony Orchestra 2019
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
kontaaktpoie
The Heaven and the Sinner
Spectres of the State Avant-Garde
Through Fragility
RM ‘Right Place, Wrong Person’(Vinyl)
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’
Design and the Anxiety of the Contemporary