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kontaaktpoie
Olafur Eliasson: The living observatory, 2021
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Oksun Kim: The Story of You and Me
Design and the Anxiety of the Contemporary
Catastrophe and Recovery
YES! Market
Jeongsu Woo: Three Devils by the Bedside
KYNE: ROUTE3
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
QUEENMAMA EAT&TALK #1
RM ‘Right Place, Wrong Person’
Peardrop
Jeongsu Woo: Three Devils by the Bedside
Crush EP 'FANG'
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Lee ShinJa, Threadscapes
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
KBS Symphony Orchestra 2019
Spectres of the State Avant-Garde
KEEPUSWEIRD
THE NEUTRAL
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Ticket, Ilmin Museum of Art (Renewal)
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
The Heaven and the Sinner
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’(Vinyl)
Juwon Kim: The night, the past recalls the past
do it 2017, Seoul
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Have A Nice Day: Greetings from kontaakt
kontaaktpoie
THE NEUTRAL
2024 Leeum Calendar × Hyun-Sook Song
Through Fragility
Crush EP 'FANG'