kontaakt

Olafur Eliasson: The living observatory, 2021

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Crush EP 'FANG'

RM ‘Right Place, Wrong Person’

Ticket, Ilmin Museum of Art (Renewal)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

Through Fragility

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Catastrophe and Recovery

Oksun Kim: The Story of You and Me

QUEENMAMA EAT&TALK #1

Jeongsu Woo: Three Devils by the Bedside

KBS Symphony Orchestra 2019

Design and the Anxiety of the Contemporary

RM ‘Right Place, Wrong Person’

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

The Heaven and the Sinner

Have A Nice Day: Greetings from kontaakt

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’(Vinyl)

Lee ShinJa, Threadscapes

2024 Leeum Calendar × Hyun-Sook Song

Jeongsu Woo: Three Devils by the Bedside

do it 2017, Seoul

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

Juwon Kim: The night, the past recalls the past

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie