kontaakt

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil

QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE

Through Fragility

Jeongsu Woo: Three Devils by the Bedside

KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

2024 Leeum Calendar × Hyun-Sook Song

Lee ShinJa, Threadscapes

QUEENMAMA EAT&TALK #1

Design and the Anxiety of the Contemporary

MMCA Lee Kun-hee Collection: Masterpieces of Korean Art

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’

Oksun Kim: The Story of You and Me

RM ‘Right Place, Wrong Person’

Crush EP 'FANG'

Catastrophe and Recovery

Juwon Kim: The night, the past recalls the past

KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)

Crush EP 'FANG'

Have A Nice Day: Greetings from kontaakt

KBS Symphony Orchestra 2019

do it 2017, Seoul

Ticket, Ilmin Museum of Art (Renewal)

Korean Video Art from 1970s to 1990s: Time Image Apparatus

RM ‘Right Place, Wrong Person’

Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie

RM ‘Right Place, Wrong Person’(Vinyl)

Spectres of the State Avant-Garde

RM ‘Right Place, Wrong Person’

The Heaven and the Sinner

Jeongsu Woo: Three Devils by the Bedside

Olafur Eliasson: The living observatory, 2021