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Lee ShinJa, Threadscapes
Through Fragility
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Oksun Kim: The Story of You and Me
Design and the Anxiety of the Contemporary
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KEEPUSWEIRD
Crush EP 'FANG'
Crush EP 'FANG'
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Spectres of the State Avant-Garde
RM ‘Right Place, Wrong Person’
kontaaktpoie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Peardrop
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Korean Video Art from 1970s to 1990s: Time Image Apparatus
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
THE NEUTRAL
RM ‘Right Place, Wrong Person’
kontaaktpoie
do it 2017, Seoul
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Jeongsu Woo: Three Devils by the Bedside
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’(Vinyl)
RM ‘Right Place, Wrong Person’
2024 Leeum Calendar × Hyun-Sook Song
KEEPUSWEIRD
Have A Nice Day: Greetings from kontaakt
YES! Market
Olafur Eliasson: The living observatory, 2021
RM ‘Right Place, Wrong Person’
KBS Symphony Orchestra 2019
Juwon Kim: The night, the past recalls the past
The Heaven and the Sinner
Ticket, Ilmin Museum of Art (Renewal)
Jeongsu Woo: Three Devils by the Bedside
Catastrophe and Recovery
KYNE: ROUTE3
QUEENMAMA EAT&TALK #1