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Crush EP 'FANG'
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Jeongsu Woo: Three Devils by the Bedside
Olafur Eliasson: The living observatory, 2021
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Juwon Kim: The night, the past recalls the past
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Spectres of the State Avant-Garde
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
Jeongsu Woo: Three Devils by the Bedside
RM ‘Right Place, Wrong Person’
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Through Fragility
Have A Nice Day: Greetings from kontaakt
YES! Market
Design and the Anxiety of the Contemporary
2024 Leeum Calendar × Hyun-Sook Song
Lee ShinJa, Threadscapes
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
QUEENMAMA EAT&TALK #1
KEEPUSWEIRD
Oksun Kim: The Story of You and Me
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
kontaaktpoie
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
RM ‘Right Place, Wrong Person’
THE NEUTRAL
Catastrophe and Recovery
The Heaven and the Sinner
Crush EP 'FANG'
Ticket, Ilmin Museum of Art (Renewal)
Peardrop
do it 2017, Seoul
kontaaktpoie
KBS Symphony Orchestra 2019
RM ‘Right Place, Wrong Person’
KYNE: ROUTE3
RM ‘Right Place, Wrong Person’(Vinyl)