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KEEPUSWEIRD
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
QUEENMAMA EAT&TALK #1
RM ‘Right Place, Wrong Person’
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
RM ‘Right Place, Wrong Person’(Vinyl)
RM ‘Right Place, Wrong Person’
RM ‘Right Place, Wrong Person’
kontaaktpoie
Juwon Kim: The night, the past recalls the past
Through Fragility
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Have A Nice Day: Greetings from kontaakt
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Spectres of the State Avant-Garde
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
kontaaktpoie
Olafur Eliasson: The living observatory, 2021
YES! Market
Design and the Anxiety of the Contemporary
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
THE NEUTRAL
2024 Leeum Calendar × Hyun-Sook Song
Jeongsu Woo: Three Devils by the Bedside
Korean Video Art from 1970s to 1990s: Time Image Apparatus
Jeongsu Woo: Three Devils by the Bedside
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Lee ShinJa, Threadscapes
KEEPUSWEIRD
Peardrop
Oksun Kim: The Story of You and Me
The Heaven and the Sinner
Crush EP 'FANG'
Catastrophe and Recovery
do it 2017, Seoul
RM ‘Right Place, Wrong Person’
Ticket, Ilmin Museum of Art (Renewal)
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Crush EP 'FANG'
KYNE: ROUTE3
KBS Symphony Orchestra 2019