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Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
Jeongsu Woo: Three Devils by the Bedside
Crush EP 'FANG'
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
RM ‘Right Place, Wrong Person’(Vinyl)
KEEPUSWEIRD
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
Ticket, Ilmin Museum of Art (Renewal)
Spectres of the State Avant-Garde
kontaaktpoie
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
Jeongsu Woo: Three Devils by the Bedside
Through Fragility
THE NEUTRAL
Oksun Kim: The Story of You and Me
THE NEUTRAL
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
Catastrophe and Recovery
Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
The Heaven and the Sinner
Olafur Eliasson: The living observatory, 2021
YES! Market
kontaaktpoie
Design and the Anxiety of the Contemporary
RM ‘Right Place, Wrong Person’
Crush EP 'FANG'
Lee ShinJa, Threadscapes
Have A Nice Day: Greetings from kontaakt
KYNE: ROUTE3
QUEENMAMA EAT&TALK #1
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
KEEPUSWEIRD
Korean Video Art from 1970s to 1990s: Time Image Apparatus
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Homecoming Exhibition of Korean Pavilion)
2024 Leeum Calendar × Hyun-Sook Song
Peardrop
KBS Symphony Orchestra 2019
do it 2017, Seoul
Juwon Kim: The night, the past recalls the past
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES (Korean Pavilion, the 60th International Art Exhibition La Biennale di Venezia)
RM ‘Right Place, Wrong Person’