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Lee Ufan and His Friends IV — TAKASHI MURAKAMI: MurakamiZombie
RM ‘Right Place, Wrong Person’
KOO JEONG A – ODORAMA CITIES
KEEPUSWEIRD
Sterling Ruby: The Flower Cutter Rests on Dust Covered Steps
Seung Ae Lee – BOTANIC DRUM
Jeongsu Woo: Three Devils by the Bedside
2024 Leeum Calendar × Hyun-Sook Song
Design and the Anxiety of the Contemporary
Oksun Kim: The Story of You and Me
Lee ShinJa, Threadscapes
DOOSAN Humanities Theater 2023: Age, Age, Age
DOOSAN Humanities Theater Special Exhibition: The Sunken Eyes Were Dim
THE PROJECT: YÉOL×CHANEL 2022–On the Aesthetics of Radiance, Geumbak & Ottchil
The Heaven and the Sinner
QUEENMAMA VILLAGE
2023 CLUB YP—INSPIRATION BOOK VOL.1: ANYWHERE IS FINE!
THE WHITE BOOK by Yuhanrox
We All Really Matter
Bukchon Local Paper by Sulwhasoo | Issue 1: Hello, Hanok
Stop Worrying and Love the Bomb
BIG MOUTH
Little Red Riding Hood: Why did she wander around the woods?
Art Bench, THE ART SPACE 193
Olafur Eliasson: The living observatory, 2021
MMCA Lee Kun-hee Collection: Masterpieces of Korean Art
Catastrophe and Recovery
Juwon Kim: The night, the past recalls the past
Shadowland
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DOOSAN ART LAB (Renewal)
Your Garden
Jeongsu Woo: Where is My Voice
Juwon Kim: A Year in Tochka No.84
Buk’s Books
Deep Love Trilogy
Korean Video Art from 1970s to 1990s: Time Image Apparatus
QUEENMAMA EAT&TALK #1
Buybye Market
Photo-JAM (RYSE 1st Anniversary Zine Workshop)
2018 SeMA’s New Acquisitions: Multi-Access 4913
DOOSAN Humanities Theater 2019: Apartment Nation
Love × Life
Ok Seung Cheol: UN ORIGINAL
Architecture as Movement: Modern Architecture in South Korea 1987-97
QUEENMAMA LETTER #1: QUEENMAMA NOW, HERE
KBS Symphony Orchestra 2019
Have A Nice Day: Greetings from kontaakt
As Two Half Moons Meet
Hyeob-Lyeog